Valderrabano Table of Contents

T A B L E O F C O N T E N T S
	Folio	Skill Level	Page
BOOK ONE: Contrapuntal Works
1. Two Fugues to understand three voice arrangements: Fugue One	1	Primero Grado	1
2. Fugue Two	1	Primero Grado	2
3. Agnus dei in three voices on mi.fa.re.sol.fa.mi	1	Primero Grado	3
4. Benedictus on the same plainsong	2	Segundo Grado	4
5. Hosanna in three voices on the said mi.fa.re.sol.fa.mi	2	Segundo Grado	5
6. Agnus dei in four voices	2	Tercero Grado	6
7. Agnus dei by Josquin. In four voices with certain parts added.	3	Tercero Grado	8
BOOK TWO: In which there are motets by famous composers and stories from the sacred scriptures set to old romances and villancicos, and other works.
1. Laudate dominum omnes gentes by Layole in four voices	5	Segundo Grado	11
2. Laudate second part	5	Segundo Grado	12
3. Exultet celum laudibus by Sepulveda in four voices	10	Segundo Grado	13
4. O glorioso dei genitrix by Gombert	5	Segundo Grado	14
5. Si bona suscepimus in four voices	6	Segundo Grado	16
6. Beata quorum agmina in four voices	6	Segundo Grado	17
7. Infirmitatem nostram by Verdelot in four voices	7	Tercero Grado	18
8. Replenisunt qui dem spiritu sancto by Verdelot, four voices	8	Tercero Grado	20
9. Panis quem ego by Lupus	8	Tercero Grado	22
10. Hic precursor et dilectus by Gombert in four voices	9	Segundo Grado	24
11. Ave Maria by Josquin in six voices	17	Tercero Grado	26
12. Ave Maria by Loyset in five voices	10	Tercero Grado	28
13. Augustine lux doctorum by Adriano in five voices	17	Tercero Grado	29
14. Jesum quiritis by Loyset in four voices	11	Tercero Grado	30
15. Tibi soli peccavi by Jaquet in four voices	12	Segundo Grado	32
16. Aparens christus by Gombert in five voices	13	Tercero Grado	34

18. Nonne dissimulavi by Morales in four voices	15	Segundo Grado	38
19. Virgo prudentissima by Pieton in four voices	15	Segundo Grado	40
20. Peccavi supranumerum by Adriano in five voices	16	Tercero Grado	42
21. Ante quam comedam by Vicencio Ruffo in five voices	18	Tercero Grado	44
22. Story of how Mathatias cried at the destruction of Jerusalem	19	Primero Grado	46
23. Story of how Judith beheaded Holofernes	20	Primero Grado	48
24. Laudate dominum deum nostrum	21	Segundo Grado	50
25. Story of how the prophet Helias fled to the desert	20	Primero Grado	51
26. Variation on the story of Helias	20	Tercero Grado	52
27. Villancico: Despososete tu amiga Juan Pastor	24	Primero Grado	54
28. Proverbio: De hacer lo que jure	21	Segundo Grado	54
29. Villancico: Auchelina	21	Primero Grado	56
30. Villancico: Muera en las hondas	22	Primero Grado	57
31. Villancico: Eulalia borgonela	22	Primero Grado	58
32. Villancico: Corona de mas hermosas	24	Primero Grado	59
33. Soneto: Corten espadas afiladas lenguas malas	22	Segundo Grado	60
34. Villancico: O que en la cumbre es ya el pecado	22	Segundo Grado	62
35. Villancico: De donde venis amore	23	Segundo Grado	64
36. Soneto: Rugier qual sempre	24	Primero Grado	65
37. Villancico: A monte sale	23	Primero Grado	66
38. Variation on the Villancico: A monte sale	23	Segundo Grado	67
39. Villancico: Como puedo yo vivir	24	Primero Grado	68
40. Villancico: Arded, corazon, arded	26	Primero Grado	69
41. Villancico: Con que la lavare	24	Segundo Grado	70
42. Romance: Ya cavalga calaynos	26	Primero Grado	71
43. Villancico: Las tristes lagrimas mias	25	Segundo Grado	72
44. Villancico: Donde son estas serranas	26	Primero Grado	73
45. Villancico: Sea cuando recordares	25	Tercero Grado	74
46. Villanco: Los brazos traigo cansados	25	Segundo Grado	76
47. Villancico: La bella mal maridada	26	Segundo Grado	78

BOOK THREE: In which there are works, songs, and villancicos for singing in falsete, with notation for the vocal part.
1. Motet: inte domine speravi by Lupus	28	Tercero Grado	80
2. Motet: vita dulcedo	27	Segundo Grado	84
3. Motet: O quam suavis est	29	Segundo Grado	88
4. Motet: Ut fidelium propagatione by Ortiz	31	Segundo Grado	91
5. Motet: Hierusalem luge by Verdelot	30	Segundo Grado	94
6. Lamentation: Hierusalem convertere by Miguel Ortiz	32	Segundo Grado	96
7. Cancion: Sepurte guardo	33	Primero Grado	98
8. Cancion: Quid prodesti by Ouidi Carmen	34	Primero Grado	100
9. Cancion: Madonna non so dir by Verdelot	37	Segundo Grado	101
10. Cancion: Dormendo un giorno by Verdelot	38	Segundo Grado	104
11. Cancion: Se in me estremo	34	Primero Grado	107
12. Motet: Cum invocarem by Verdelot	31	Primero Grado	109
13. Cancion: Gloriar mi passio donne by Verdelot	35	Primero Grado	110
14. Cancion: Madonna quel certeza	35	Primero Grado	112
15. Cancion: Amortusay by Archadelt	40	Primero Grado	115
16. Cancion: Qui la dira	36	Primero Grado	118
17. Cancion: Vita de la mia vita	39	Primero Grado	120
18. Cancion: Italia mia by Verdelot	41	Segundo Grado	122
19. Cancion: Quien me otorgase señora	42	Segundo Grado	126
20. Cancion: Aunque mil años turases by Anrriquez	43	Segundo Grado	128
21. Cancion: Las reinas de España by Anrriquez	43	Primero Grado	130
22. Cancion: Señora si te olvidare by Anrriquez	44	Primero Grado	132
23. Cancion: Jamas cosa que quisiesse by Anrriquez	44	Primero Grado	134
BOOK FOUR: In which are found compositions by famous composers arranged for two vihuelas in four tunings: unison, thirds, fourths and fifths
1. Assiste parata by Gombert in five voices, part 1	45	Segundo Grado	136
2. Assiste parata part two, unison tuning	46	Primero Grado	138
3. Et in spiritu sanctum by Morales from the mass based on the song Mille regres in six voices, part 1	46	Segundo Grado	140

4. Et in spiritu sanctum part 2, unison tuning	47	Segundo Grado	142
5. Petite camusete by Adriano in six voices part 1	47	Segundo Grado	144
6. Petite camusete part 2, unison tuning	48	Segundo Grado	146
7. On the tenor of El conde claros by Anrriquez in five voices, part 1	48	Segundo Grado	148
8. El conde claros, minor third tuning, part 2	49	Primero Grado	149
9. Andreas christi by Morales in five voices, part 1	49	Segundo Grado	150
10. Andreas christi, minor third tuning, part 2	50	Primero Grado	151
11. Quanti mercenarii by Morales in six voices, part 1	50	Segundo Grado	152
12. Quanti mercenarii, minor third tuning, part 2	51	Primero Grado	153
13. Patrem de beata virgine by Josquin in five voices, part 1	51	Segundo Grado	154
14. Beata virgine, fourths tuning, part 2	52	Primero Grado	156
15. Cum sancto spiritu by Morales in five voices, part 1	52	Primero Grado	158
16. Cum sancto spiritu, fourths tuning, part 2	53	Segundo Grado	159
17. Pater noster by Adriano in six voices, part 1	53	Primero Grado	160
18. Pater noster, fourths tuning, part 2	54	Segundo Grado	162
19. Cancion: Payne trabel by Mouton in six voices, part 1	54	Primero Grado	164
20. Payne trabel, fourths tuning, part 2	55	Segundo Grado	165
21. Cancion: De sibivit by Adriano in six voices, part 1	55	Segundo Grado	166
22. De sibivit, fifths tuning, part 2	56	Primero Grado	168
23. Obsecro te domina by Josquin in five voices, part 1	57	Primero Grado	170
24. Obsecro te domina, fifths tuning, part 2	58	Segundo Grado	172
25. On the tenor of a bassa by Anrriquez in four voices, part 1	58	Segundo Grado	174
26. On the tenor of a bassa, fifths tuning, part 2	59	Primero Grado	176
27. Inviolata by Josquin in six voices, part 1	60	Primero Grado	178
28. Inviolata, fifths tuning, part 2	61	Segundo Grado	180
29. O benigna: third part of said motet by Josquin in five voice, part 1	61	Primero Grado	182
30. O benigna, fifths tuning, part 2	62	Segundo Grado	183
31. Jubilate by Morales in six voices, part 1	61	Primero Grado	184
32. Jubilate, fifths tuning, part 2	62	Segundo Grado	186

BOOK FIVE: Which deals with Fantasias
1. Fantasia 1: free polyphony	63	Primero Grado	189
2. Fantasia 2	63	Primero Grado	190
3. Fantasia 3 on a Benedictus	64	Primero Grado	191
4. Fantasia 4 on the introduction of a bassa	64	Segundo Grado	192
5. Fantasia 5: free polyphony	65	Tercero Grado	194
6. Fantasia 6	65	Tercero Grado	196
7. Fantasia 7 based on Al aspice by Gombert	66	Segundo Grado	198
8. Fantasia 8 based on verses of a Magnificat by Morales	67	Segundo Grado	200
9. Fantasia 9 which imitates a foreign one	68	Tercero Grado	202
10. Fantasia 10 based on the pleni of a counterpoint	68	Segundo Grado	204
11. Fantasia 11 based on the introduction to an Ave maria stella	69	Segundo Grado	206
12. Fantasia 12: free polyphony	69	Primero Grado	207
13. Fantasia 13: free polyphony on a counterpoint	70	Segundo Grado	208
14. Fantasia 16 based on a Benedictus by Mouton	71	Segundo Grado	209
15. Fantasia 14 which imitates one by El Milanes	70	Tercero Grado	210
16. Fantasia 15 based on the motet Inviolata by Gombert	71	Tercero Grado	212
17. Fantasia 17 based on a Gloria of the mass Panis quem ego dabo	72	Tercero Grado	214
18. Fantasia 18: free polyphony	73	Primero Grado	216
19. Fantasia 20 based on a Pleni from a mass by Bauldoin	74	Segundo Grado	217
20. Fantasia 19 based on a Kyrie by Josquin	73	Segundo Grado	218
21. Fantasia 21 on the beginning of a song	74	Tercero Grado	220
22. Fantasia 22 based on an Ave maria stella by Josquin	75	Tercero Grado	222
23. Fantasia 23: free polyphony	77	Segundo Grado	225
24. Fantasia 24 counterpoint based on a Quia facit	76	Tercero Grado	226
25. Fantasia 25: free polyphony	77	Tercero Grado	228
26. Fantasia 26: free polyphony	78	Primero Grado	230
27. Fantasia 27	78	Tercero Grado	232
28. Fantasia 28 on the first part of the motet Queramus cum pastoribus	79	Tercero Grado	234

29. Fantasia 29 on the second part of the same motet	80	Tercero Grado	236
30. Fantasia 30: harmony on free polyphony	80	Tercero Grado	238
31. Fantasia 31: free polyphony	81	Segundo Grado	239
32. Fantasia 32: free polyphony	81	Tercero Grado	240
33. Fantasia 33: free polyphony	82	Tercero Grado	242
BOOK SIX: Which deals with part of masses, duos, songs, and sonetos
1. Qui tollis from the mass Pange lingua	83	Tercero Grado	244
2. Crucifixus	86	Segundo Grado	246
3. Agnus dei	83	Primero Grado	247
4. Agnus dei by Josquin	84	Tercero Grado	248
5. Cum sancto spiritu from Ad fugam by Josquin	84	Segundo Grado	250
6. Cum sancto spiritu from Beata virgine by Josquin	85	Tercero Grado	251
7. Et incarnatus est	85	Tercero Grado	252
8. Credo	85	Tercero Grado	252
9. Hosanna	83	Segundo Grado	253
10. Duo 1: Et resurrexit	86	Primero Grado	254
11. Duo 2: Benedictus	86	Primero Grado	254
12. Duo 3: Pleni sunt	86	Primero Grado	255
13. Duo 4: Agnus dei	87	Primero Grado	256
14. Duo 5: Pleni sunt	87	Primero Grado	256
15. Duo 7: Et misericordia eius	87	Primero Grado	257
16. Duo 6: Per illud ave	87	Tercero Grado	258
17. Cancion: Adieu mes amours	88	Segundo Grado	259
18. Cancion: Diviencela	88	Segundo Grado	260
19. Cancion: Teresica hermana	89	Tercero Grado	261
20. Cancion: Ami sufle	89	Segundo Grado	260
21. Cancion: Omnia mal de amor procede	92	Segundo Grado	262
22. Soneto 1 on Si tantos monteros	88	Tercero Grado	263
23. Soneto 2 Es lombardo, in dance style	89	Primero Grado	264
24. Soneto 3	90	Primero Grado	266

25. Soneto 4	90	Segundo Grado	266
26. Soneto 5	90	Primero Grado	267
27. Soneto 6	90	Primero Grado	267
28. Soneto 7	90	Tercero Grado	268
29. Soneto 8	91	Primero Grado	268
30. Soneto 9 Dichosa fue mi ventura (I got lucky)	91	Primero Grado	269
31. Soneto 10	91	Primero Grado	270
32. Soneto 11	91	Primero Grado	270
33. Soneto 12	92	Primero Grado	271
34. Soneto 13	92	Primero Grado	272
35. Soneto 14	92	Tercero Grado	273
36. Soneto 15	92	Primero Grado	273
37. Soneto 16: Lo que queda es lo seguro (What’s sure is what lasts)	93	Primero Grado	274
38. Soneto 17	93	Tercero Grado	274
39. Soneto 18	93	Tercero Grado	275
40. Soneto 19 on Gentil galans	93	Segundo Grado	275
41. Soneto 20 on Benedicto sea le iorno	93	Primero Grado	276
42. Soneto 21	94	Primero Grado	276
43. Soneto 22 Viva la Margarita	94	Segundo Grado	277
BOOK SEVEN: Which deals pavans and other diferencias
1. Diferencias on El conde claros by Anrriquez	97	Various Grados	278
2. Other diferencias on El conde claros	98	Various Grados	283
3. On the Pavan real	103	Segundo Grados	290
4. Diferencias on a pavan	94	Various Grados	291
5. More diferencias on the same pavan	95	Various Grados	294
6. Diferencias on Guardame las vacas	96	Various Grados	296
7. Discant on a ground	103	Various Grados	298

Notes on the text			302
Sundry song and text translations			303